The intensity and vastness of the Al-Ula archaeological site inspired the scenographic concept of the exhibition.
On the first floor, visitors are invited to a deep, multi-scalar immersion in the landscape, enhanced by the generous ceiling heights. The introduction is orchestrated by photographer and filmmaker Yann Arthus-Bertrand, who sets the tone with three large-scale video projections. On the second floor, the focus shifts to the monuments carved into the rock. Here, visitors enter into the sculpted material itself, surrounded by forms and geometries that evoke the language of geology and the natural shaping of the land.
On the first floor, visitors are invited to a deep, multi-scalar immersion in the landscape, enhanced by the generous ceiling heights. The introduction is orchestrated by photographer and filmmaker Yann Arthus-Bertrand, who sets the tone with three large-scale video projections. On the second floor, the focus shifts to the monuments carved into the rock. Here, visitors enter into the sculpted material itself, surrounded by forms and geometries that evoke the language of geology and the natural shaping of the land.
2018-2020, Architectural Designer at Du&Ma Scénographes studio (Paris)
Client : Arab World Institute (IMA France), Royal Commission for AlUla
Surface : 850 sqm
Budget : 660K €
Location: Paris, France
Surface : 850 sqm
Budget : 660K €
Location: Paris, France